WARNING: THIS ARTICLE CONTAINS DISTURBING IMAGERY
By now most people have heard of “Spirit Cooking” – the disgusting practice of mixing bodily fluids and performing Satanic incantations, in a bizarre ritual disguised as a dinner party.
John Podesta, longtime democratic operative and current Chairman of Hillary Clinton’s campaign, has been tied to these stomach-turning parties through leaked emails that reveal he and his brother Tony have been participants.
While the Clinton camp refuses to even acknowledge these revelations, we believe the American people have a right to know what their representatives are up to, and what they really believe.
John Podesta has been a powerful figure in the Democrat party since the 1980s, when he and his brother Tony formed a D.C. lobbying firm together.
Since then he has been a rising star in leftist politics, serving as Bill Clinton’s Chief of Staff, Counselor to President Barack Obama, and now Chair of Hillary’s campaign. He also founded the ultra-liberal Washington think tank Center for American Progress.
With so many high-profile appointments, John Podesta has been forced to conceal much of his private life from public scrutiny. His brother Tony, however has been less reserved in his activities.
During the course of researching these powerful brothers, some startling facts emerged.
Most notable is their close connection and friendship with Satanic “performance artist” Marina Abramovic. Abramovic’s Twitter handle is her name with “666” appended to it. She has carved a pentagram into her own stomach with a razor blade, as one of her “artistic” performances.
Since the controversy broke due to the leaked Podesta emails (made available through Wikileaks), Abramovic has offered a half-hearted denial of being a Satanist through her Twitter account. Her claim contradicts the overwhelming evidence that she has already placed in the public sphere.
Marina Abramovic invokes the number of the beast, uses bloody pentagrams in her work, performs dark occult rituals which include painting walls with blood, simulates cannibalism, and directs “Spirit Cooking” parties. Readers can decide for themselves if that indicates Satanism!
And the truly shocking thing is that Abramovic has more than just a passing connection to John and Tony Podesta. It appears that she enjoys a very close relationship with the brothers.
When she decided to start an “institute” where she could perform more occult rituals and teach others to do the same, she set her sights on a massive brick building requiring extensive renovations. She started a campaign on kickstarter.com to raise $600,000 for the project. Tony Podesta pledged a hefty $10,000 to this campaign, which guaranteed him a Spirit Cooking session with the “artist”.
According to the Kickstarter campaign, donors who pledge the maximum amount of $10,000 will receive the following “reward”:
LIVE EVENT / THE EXERCISES: SPIRIT COOKING WITH MARINA ABRAMOVIC
A dinner night with Marina during which she will teach you and other backers at this level how to cook a series of traditional soups, which you will all enjoy together.
The reward also includes “Complete Abramovic Method Exclusives, access to ALL $25 live stream exercises / live events…”
Cooking traditional soups at a dinner party sounds pretty innocent, doesn’t it? Well when those soups involve bodily fluids such as urine and breast milk, and others too sickening to mention, plus painting demonic messages on the wall in blood, we must wonder which “tradition” she is referring to.
So why would a successful Washington lobbyist and his politically-connected brother support such a dark and disturbing woman?
A Washington Post article from 2004 shed some light on the subject, but was quickly yanked down when the Spirit Cooking story broke – presumably under orders from Clinton-backer Jeff Bezos. After all, the Washington Post is a client of the Podesta group, and we can assume they have a tight relationship with Tony.
Luckily the article was archived before its removal. It is a profile of the Podesta brothers and their strange taste in artwork. Some notable lines from the WaPo piece:
“Folks attending a house tour in the Lake Barcroft neighborhood in Falls Church earlier this year got an eyeful when they walked into a bedroom at the Podesta residence hung with multiple color pictures by Katy Grannan, a photographer known for documentary-style pictures of naked teenagers in their parents’ suburban homes.”
Wait a moment, did we just read that the brother and business partner of Hillary Clinton’s most trusted advisor has multiple photographs of nude teens in his bedroom? Yes, and it gets even weirder.
The story continues:
“They (house guests) were horrified,” Heather recalls, a grin spreading across her face.
If Tony and Heather enjoy in-your-face art, they also reward their artists. The Podestas are eager to assist those they’ve earmarked as promising, and donate time and resources to the cause.
“Tony loves the artists themselves as much as the artworks,” John Podesta says. Earlier this month, the couple held a party and opening at their Falls Church home in honor of 34-year-old District artist Avish Khebrehzadeh.
Khebrehzadeh is an “artist” of extremely limited technical talent who has an odd obsession with bloody hands. Podesta enjoyed her work so much that he opened his own home for her to use as a studio, and to host her show opening.
Heather’s (Tony’s wife) first taste of Tony’s art came on their first date, in the fall of 2001, when they stopped at his house to pick up his car before heading to the opera. Passing some of the quirkier selections, Heather recalls Tony remarking, “I don’t know why it is, but I have artworks where the women have no heads.”
Tony and Heather don’t shy away from discomfort — especially when they can inflict it, ever so gently, on others.
Tony’s younger brother John (yes, that John, Bill Clinton’s former chief of staff and current president of the liberal think tank Center for American Progress) admires his choices in art but recognizes that not everyone gets it. Says John, “I don’t think Tony focus-groups his art.”
The article goes on to talk about one of Tony’s favorite pieces – a blasphemous mockery of a 15th century painting of Jesus that is “updated” to resemble something closer to homosexual pornography.
Though pictures rotate on and off the walls of the couple’s homes, a piece in the Woodley Park living room stays. Called “Soliloquy VII,” the nearly eight-foot-tall color photo by British artist Sam Taylor-Wood is an update of a late-15th-century painting of the dead Jesus. Taylor-Wood faithfully replicates the original’s composition, here photographing, in vivid color and minute detail, a young man laid out on his back. Just one thing: Taylor-Wood omits the shroud, displaying his subject in all his nakedness.
Though often politely ignored, “Soliloquy VII” is rarely forgotten. Tony and Heather love it. They crane their necks to hear the whispers generated when the pols stop in. Tony often uses the work to launch into a story about Hillary Clinton’s visit, when she ducked and tiptoed around the work lest any photo opportunity capture her alongside the naked figure.
One of the largest pieces in his collection, which dominates the massive front room of Podesta’s estate, is “The Arch of Hysteria” by Louise Bourgeois. It is a giant sculpture of a contorted and headless human form. The sculpture is eerily reminiscent of Jeffrey Dahmer’s practice of contorting his headless victims in grotesque poses and taking Polaroid photographs of them. The positioning of the body in this piece matches almost precisely one of the most grisly photographs found in Dahmer’s possession.
The artwork is not limited to the private Podesta residence. Tony proudly displays his tastes in his office as well.
The pictures ringing Tony’s ninth-floor office at PodestaMattoon deliver an unusual welcome. A suite of arresting computer-manipulated photographs by Dutch artist Margi Geerlinks serves as a cautionary tale of genetic engineering. One shows a boy seemingly born from a sewing machine. Another finds a young girl knitting her own hair. A third has a naked woman immersed in blood-red liquid.
“Some people think it’s a little weird,” Tony says of his choices. “But that’s their problem.”
While the Washington Post story centers around Tony Podesta, we have evidence that John Podesta shares the same bizarre tastes in disturbing imagery.
He is thought to have attended the Spirit Cooking party at his brother’s house, on direct request from the “artist” Marina Abramovic who asked for him by name.
He also displays a disturbing painting in his own New York office, which depicts the type of cannibalism so frequently referenced in Abramovic’s work. A profile on Podesta in Time Magazine had this to say about the painting:
“On the wall in his office at Hillary Clinton’s Brooklyn headquarters, campaign chairman John Podesta has an oil painting on loan from his lobbyist brother, who is an avid art collector,” the Time article states. “The image shows two men hunched over a dining room table, bearing knives and forks. On the table lays a man in a suit, who looks vaguely like Podesta.”
Podesta explained during the interview that he regularly tells colleagues that he would prefer to be the man with the fork.
“It’s better to be the guy with the fork than the guy on the table,” he said.
So how does John Podesta view the American public? Are we the guy with the fork, or the guy on the table?
Are these the type of people we want running the country?
If you haven’t gotten out to vote, please do so now. It may be your only chance to stop this group of creeps from taking up residence in the White House.